Chokehold, Literally & Figuratively

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The Paul Butler who appears often on MSNBC as a legal expert has a very different voice from the Paul Butler who wrote Chokehold: Policing Black Men. Both voices are critical for our times.

All I knew about him was his role as a legal commentator on shows such Joy Reid or All In With Chris Hayes, where he has mainly been asked about the Trump-Russia investigation. In this book, he is a passionate revolutionary fighting for social change.

Mr. Butler is the Albert Brick Professor in Law at Georgetown University and was formerly a federal prosecutor. The awards he has received and the scholarly articles and other books he has authored lead me to the conclusion that this is a man I need to listen to. His latest book came out last July, but it took me a while to catch up with it.

He uses the term “chokehold” both literally, as in how Eric Garner was murdered, and figuratively, as in the chokehold that official (read white) society has over the lives of African Americans.

As someone who has been arrested for a crime he did not commit, Mr. Butler knows whereof he speaks. He also knows how fortunate he was to have had legal colleagues to help him get out of his dilemma. The vast majority of African-American men and women who are wrongfully arrested, if they are not outright killed by police first, do not have such resources.

And the point is not to make those resources help, though in the short term they are needed. Mr. Butler is looking at the long term and calls for a revolution that will completely reform the way policing is done in this country.

This is from Elizabeth Hinton’s review in The New York Times last July:

“ “Cops routinely hurt and humiliate black people because that is what they are paid to do,” Butler writes. “The police, as policy, treat African-Americans with contempt.” “

We have seen that with our own eyes, but still police are rarely held accountable and Supreme Court decisions have given them the impunity to do what they do. When SCOTUS decisions support racial profiling, how do we think those in our society who are already racist will behave?

I can’t help but agree with his argument that a complete transformation, not incremental steps, is what is needed in this country. “The United States of America must be disrupted, and made anew,” he writes.

Not only do incremental steps not help in the long run, they are an obscene insult to people whose entire history is one of oppression and inequality at the hands of white society. I’ve heard the “Why can’t they be patient?” argument in every decade of my life. It was an appalling argument in the 1950s and it is an appalling argument now.

Systemic racism, which leads to chokeholds and police violence against African Americans, has been a cancer on this continent for almost 500 years. No matter whether there’s someone we love in the White House or someone we hate, American society has a rot within it that needs to be surgically removed.

I will let you read Mr. Butler’s vision of solutions for the problem for yourself. Some seem shocking at first, such as abolishing prisons. But when you look soberly at our history and where we are now in equal protection under the law, you might start thinking along those shocking lines yourself.

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Innocent/Guilty “Until”

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Having just heard the verdict about the policeman who murdered Philando Castile, seeing Nick Cave’s exhibit “Until” at Mass MOCA was not only timely but even more devastating.

Cave’s installation was mounted in September 2016 and remains until September 2017. “Until” refers to “innocent until proven guilty.” Or does it? Guilty until proven innocent is what is really implied, because Cave’s art is built on, and haunted by, the ghosts of Michael Brown, Trayvon Martin, Tamir Rice, Eric Garner, Oscar Grant, Yvette Smith and more.

The program says that the installation began with Cave asking himself, “Is there racism in heaven?” His answer is an experience rather than just a matter of looking at one art piece. One is confronted by masses of glittery mobiles twisting and turning. They are mostly beautiful and mesmerizing; then one sees that many of the mobiles depict guns, bullets, and targets.

One walks through this maze of glitter to a crystal cloud atop which is a huge garden of ceramic birds, gramophone horns, and, startlingly, black-face lawn jockeys. One has to climb a very tall ladder to see this site of mainly found objects.

After passing through and around a wall of plastic beads that look like netting, from far away, you enter a dark room with a giant lifeguard chair in the center and a frenetic video that plays on the walls. While my sister and I were there, we were the only museum-goers who stayed to watch the whole video, which is unsettling and somewhat sinister at times. It ends with a chorus of black-face tap dancers; all the while, a video of swirling shallow water is cast on the floor, so you feel off-balance anyway.

IMG_20170621_123518488The last part of the installation is a metaphorical wall of water meant to seem cleansing. It is only the last part, though, physically. I promise that if you go, or have a chance to see it elsewhere, you will carry the installation in your mind and heart for a while.

To see a slo-mo video of the mobiles, go to Nick Cave installation.