Having just heard the verdict about the policeman who murdered Philando Castile, seeing Nick Cave’s exhibit “Until” at Mass MOCA was not only timely but even more devastating.
Cave’s installation was mounted in September 2016 and remains until September 2017. “Until” refers to “innocent until proven guilty.” Or does it? Guilty until proven innocent is what is really implied, because Cave’s art is built on, and haunted by, the ghosts of Michael Brown, Trayvon Martin, Tamir Rice, Eric Garner, Oscar Grant, Yvette Smith and more.
The program says that the installation began with Cave asking himself, “Is there racism in heaven?” His answer is an experience rather than just a matter of looking at one art piece. One is confronted by masses of glittery mobiles twisting and turning. They are mostly beautiful and mesmerizing; then one sees that many of the mobiles depict guns, bullets, and targets.
One walks through this maze of glitter to a crystal cloud atop which is a huge garden of ceramic birds, gramophone horns, and, startlingly, black-face lawn jockeys. One has to climb a very tall ladder to see this site of mainly found objects.
After passing through and around a wall of plastic beads that look like netting, from far away, you enter a dark room with a giant lifeguard chair in the center and a frenetic video that plays on the walls. While my sister and I were there, we were the only museum-goers who stayed to watch the whole video, which is unsettling and somewhat sinister at times. It ends with a chorus of black-face tap dancers; all the while, a video of swirling shallow water is cast on the floor, so you feel off-balance anyway.
The last part of the installation is a metaphorical wall of water meant to seem cleansing. It is only the last part, though, physically. I promise that if you go, or have a chance to see it elsewhere, you will carry the installation in your mind and heart for a while.
To see a slo-mo video of the mobiles, go to Nick Cave installation.